Woefully behind in blogging, yes. 2011 was a tumultuous year. But moving on, here’s the latest work: Can’t See the Forest for the Trees. 3×9′ (yes, feet) of cotton & polyester thread (Gütermann) and pins (but not as many pins as you’d think). From initial concept to finished work, this took about two months. I hope to post about the process within the week.
Process is integral to my work and often becomes intertwined with concept as in Can’t See the Forest for the Trees. It is essentially about being lost, about losing perspective (literally or metaphysically) based on one’s position in time and space and how subjective clarity can be.
As such, every detail of the forest was meticulously drawn and stitched with varying degrees of density. Through a finishing process, details closest to the forest floor stay relatively clear. Moving upward, details become fuzzy until we reach the canopy where many details dissolve into abstraction.
A significant part of its making is the fact that part of the work itself was lost in its manifestation. Even the viewer’s interaction with the piece is determined by the viewer’s relative position to the work.
It is the constant play between being able to see the details and the (often elusive) big picture, whatever that picture may be.
Seen individually, the thread structures form random shapes. Many details become visible up close, but the shapes have little meaning unless seen from a “big picture” perspective.
My eyes go straight to the bunny in this image, though I had hoped to emphasize the frog at the very bottom. Ah well.