Episode No. 2 of the KC Art Pie podcast features visual artist Janet Kuemmerlein discussing her textile murals, the women of jazz, and how naiveté is not always a bad thing.
For this episode, I sat down with Janet Kuemmerlein in her large home studio to talk about her work and career which has spanned over 50 years. We talked about the bravery or naivete it takes to be an artist and the early days of her career in the 60s. While her textile practice is often a solitary affair, she has also painted portraits of other artists, most significantly a number of Kansas City women jazz vocalists, and she shares her experience of working with and learning from women coming from a different artistic medium.
Kuemmerlein is a pioneer in the contemporary fiber art movement. She was born in Detroit, Michigan. Janet studied painting at the College of Creative Studies in Detroit, and sculpture and metalsmithing at Cranbrook Academy of Art in Bloomfield Hills, Michigan. Her work has been placed in institutions such the Smithsonian Museum of Fine Artm the Chicago Institute of Art, the Daum Museum of Contemporary Art, the Museum of Art and Design, among many others. Her work has been in exhibited around the word in England, France, Germany and Switzerland.
Janet Kuemmerlein in her art-filled home and studio
Odyssey, textile installation, 5 x 30′, manila rope, wool, nylon,
silk, cotton, & dacron, 1976, Richmond, CA
Arctic Echoes, textile installation, 50′, Anchorage, AK
The Wild Women of Kansas City, The American Jazz Museum
Portrait of Deborah Brown by Janet Kuemmerlein,
The American Jazz Museum
Calla Lily, 10 x 10″, acrylic on canvas
Tempest by Janet Kuemmerlein, textile vessel
Portrait of a Garden
Janet Kuemmerlein in the yarn room of her home studio
Lastly, here is Janet’s portrait!
This episode of KC Art Pie is made possible through an Inspiration Grant from