NO. 6 FEMIN • IS – LINDA LIGHTON

In episode No. 6 of the Femin • Is series, I sat down with local ceramicist and bona fide flowerchild Linda Lighton. Sex, drugs, rock n’ roll and ceramics, baby. This is how it’s done.

Featured photo by Tom Styrkowicz

To be the renowned artist that Linda Lighton is today, she had to rebel, and then rebel some more. So for this interview, we took a deep dive into the early years and some early work. We also took a look back at the history of the art scene in Kansas City. Below are a few pieces that we discussed in the interview. Enjoy.

The First Lady

 

Daddy’s Hungry

 

Diva Laura
clay, glaze, China paint, lustres
22″ x 9″ x 11″
Nelson-Atkins Museum of Art Collection
2002

 

The Czarina Damnwell clay, glaze, China paint, lustre 14.5″ x 8″ x 4″ Belger Arts Center Collection 2000

 

Love & War: The Ammunition clay, glaze, China paint, lustre 12″ x 17″ x 13″ 2012

Still hungry? Then watch this gem of a process film of Linda Lighton by Don Maxwell
and stay tuned for an upcoming bonus clip from my interview with Linda.

Lastly, here is Linda’s portrait, admittedly the metallic gold was difficult to photograph!

This episode of KC Art Pie is made possible through an Inspiration Grant from

N0. 2: FEMIN • IS – JANET KUEMMERLEIN

Episode No. 2 of the KC Art Pie podcast features visual artist Janet Kuemmerlein discussing her textile murals, the women of jazz, and how naiveté is not always a bad thing.

For this episode, I sat down with Janet Kuemmerlein in her large home studio to talk about her work and career which has spanned over 50 years. We talked about the bravery or naivete it takes to be an artist and the early days of her career in the 60s. While her textile practice is often a solitary affair, she has also painted portraits of other artists, most significantly a number of Kansas City women jazz vocalists, and she shares her experience of working with and learning from women coming from a different artistic medium.

Kuemmerlein is a pioneer in the contemporary fiber art movement. She was born in Detroit, Michigan. Janet studied painting at the College of Creative Studies in Detroit, and sculpture and metalsmithing at Cranbrook Academy of Art in Bloomfield Hills, Michigan. Her work has been placed in institutions such the Smithsonian Museum of Fine Artm  the Chicago Institute of Art, the Daum Museum of Contemporary Art, the Museum of Art and Design,  among many others. Her work has been in exhibited around the word in England, France, Germany and Switzerland.

http://www.janetkuemmerlein.com

Janet Kuemmerlein in her art-filled home and studio
Odyssey, textile installation, 5 x 30′, manila rope, wool, nylon,
silk, cotton, & dacron, 1976, Richmond, CA
Arctic Echoes, textile installation, 50′, Anchorage, AK
The Wild Women of Kansas City, The American Jazz Museum

Portrait of Deborah Brown by Janet Kuemmerlein,
The American Jazz Museum
Calla Lily, 10 x 10″, acrylic on canvas
Tempest by Janet Kuemmerlein, textile vessel
Portrait of a Garden
Janet Kuemmerlein in the yarn room of her home studio

 

Lastly, here is Janet’s portrait!

creative abstract portrait of the artist
Ink on canvas │Text: Flow: The Psychology of Optimal Experience by Mihaly Csikszentmihalyi
│ 36 x 36″” │ 2017

 

This episode of KC Art Pie is made possible through an Inspiration Grant from