Musings on KC Streetcar Mural

From the artist: In late spring, the Art in the Loop Foundation commissioned me, among many other artists, to create temporary work for the series of summer programming in downtown Kansas City titled Connect. With the opportunity to partner with the KC Streetcar Authority during the streetcar’s inaugural year, a mural on one of the station stops seemed a clear choice. I See Yowas installed mid-July at the northbound Power & Light stop near 14th & Main.

Art in the Loop: Connect │ Power & Light KC Streetcar Stop │ 70sf │ 2016
Art in the Loop: Connect │ Power & Light KC Streetcar Stop │ 70sf │ 2016

Since I have been itching to do more of what I call “lace portraiture,” another clear choice was before me. This piece graphically fused the nature of lace – domestic, intimate, soft – with the metaphor I see in the material of many individuals strands creating an interconnected network. In I See You, the overlapping strands of cursive text radiate out to create the profile of a figure, a self-portrait, in truth. Yet, this is portraiture not beholden to capturing the physical likeness. Rather, it captures thought, consciousness, a meditation, or at the very least, that is my intent.

Art in the Loop: Connect │ Power & Light KC Streetcar Stop │ 70sf │ 2016
Art in the Loop: Connect │ Power & Light KC Streetcar Stop │ 70sf │ 2016

I invite you to visit the Art in the Loop’s website to listen to a short clip where I spoke about the meaning of this piece during the opening reception. The description I gave there is a bit different than what I have shared anywhere else and something I felt best shared through voice.

This work references a series of drawings created from the desire to transcribe consciousness into visual form.
This work references a series of drawings created from the desire to transcribe consciousness into visual form.

One never knows how a work will be received and I am grateful that this piece seems to be appreciated. Along with Don Wilkison‘s project, aka m.o.i., (Minister of Information), I See You was featured on KCUR’s website. The Shawnee Mission Post also featured the work.

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The transparency of the mural overlays a lacy filter onto the downtown surroundings at the northbound Power & Light Streetcar stop near 14th & Main St.
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The layers of handwritten text were printed onto a clear adhesive vinyl. While individual words can be picked out here and there, overall, the layers render the sentences illegible. A graphic mass of thought is the result.

While this work is temporary, up through September, I will have the opportunity to share more lace portraiture through an upcoming project called Femin Is.  This launched softly on KC Art Pie, with a hard launch including a Kickstarter campaign coming in October (sign up for updates here).

So, more lace, or at least my interpretation of it, is on the way. Until then, you can join me on the 17th for an Art on the Route tour hosted by ArtsKC and the Kansas City Artists Coalition. Otherwise, you have until the end of September to view I See You as well as all the other works on the line. Then it will be like what remains of our summer: going, going, gone.

With gratitude,
Rachelle Gardner-Roe

Poke A Dot – the installation you can take home

In 2014, I was awarded a commission as part of The Art in the Loop Foundation’s Downtown Street Art / Creative Placemaking Pilot Project. Among many projects, Poke A Dot was selected and is currently installed in downtown Kansas City, between 12th & 13th on the west side of Walnut St. The key thing is that if you see one of these stickers below, you can take some. Really, you can take the dots.

Detail - Poke A Dot installation, stickers, downtown Kansas City, 2014
Detail – Poke A Dot installation, stickers, downtown Kansas City, 2014

Poke-A-Dot  was originally designed as a minimalist project that respectfully acknowledged and responded to the permanent artwork “Barnacles” by Egawa + Zbyrk, while also allowing the public to actively manipulate and even possess the temporary intervention. Passers-by are encouraged to re-position the elliptical decals to form new abstract compositions and to take a few with them to create new smaller works elsewhere.

However, the curator (as well as performance and video artist) for the overall project, Jessica Borusky, recommended overlapping the installation for a week or so with the artist whose work was installed for the summer slot, Mark Allen. We loved it so much, we decided to keep it that way! See here for more insight into the curator’s takeaways from the pilot project that took place all over downtown KC this summer and fall.

Poke A Dot - installation in collaboration with artist Mark Allen, Walnut St., Kansas City, MO, 2014-15
Poke A Dot – installation in collaboration with artist Mark Allen, Walnut St., Kansas City, MO, 2014-15

 

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Rachelle Gardner - Poke A Dot & Mark Allen - Ethereal Waters
Rachelle Gardner – Poke A Dot & Mark Allen – Ethereal Waters

After seeing then next to Mark’s amazing underwater photographs, I began to see my dots as bubbles!

Rachelle Gardner - Poke A Dot & Mark Allen - Ethereal Waters
Rachelle Gardner – Poke A Dot & Mark Allen – Ethereal Waters

It was such a pleasure to have a spontaneous collaboration with another artist. We really enjoyed how our ideas, though planned separately, worked so well together!

Poke A Dot Label

So just remember, if you come across this installation, please feel free to take a few dots and put them wherever you like!

It was also interesting that in 2008, I completed my first ever installation, Dreamscapes, on the other side of Walnut on the exact same block, in the old Jenkins Music Co. storefronts. How many artists can say that?

dreamscapes title ltl

On a final note, Happy 2015! I wish a happy and healthy year to you all!