To take a break from the bookmarks and to show you something I am actually working on, here is one of my wall hanging vessels from a few years back that I am redoing. This is the first stage: threading. We’ll see how much layering I’ll do. You can see I’m starting to build a decent thickness in the upper right of the detail shot. The string hanging down has the needle on it right now, but in the end there will be many strings hanging down like that with seed beads on the ends. So goes the idea at the moment. It’s a good piece to work on late at night when I’m too tired to really think and when I’m finished for the night, I just hang it back on the wall!
I finished this in October, but I’ve been bad at blogging lately. I’ve been having problems getting accurate photographs of the fiber work.
The main section of Glacial features natural colored fleeces from the farm, wet-felted. The “buttons” are pit-fired earthenware with amorphous, needle-felted wool attached to each. It is backed with a commercial felt fabric (ie., not craft felt) to hang on a wall. It’s about 18-20″ across.
Hand-dyed and needle-felted Shetland wool. 10’L x 12″H x 1.75″D This piece covers an entire wall, so sizeable length makes it difficult to show online. Thus, the detail shot and I will put a higher resolution shot on the website. Individual “letters” are three-dimensional felted objects, each pinned to the wall. Each shade of blue was dyed separately and color gradations were carefully created in the needle felting process.
The “letters” do not have direct meanings or pronunciations, though the phrasing was carefully chosen through extensive writing /sketching. Though I am usually Google Image-happy, I purposefully avoided researching languages, as I wanted to let the shapes be influenced only by my pre-existing references, subconscious or otherwise. Frankly, I’m not certain why that was so important, but it was. I guess a thought would be that I should make another after taking a look at world languages and see how the additional visual references get assimilated.
See website for larger image.
Step 1: Spend way too much time making felt balls. — Oddly enough, it’s a soothing exercise. When I was too tired to do anything, let alone think, I could still make felt balls (which involves a very sharp instrument, so don’t discount it completely).
______________________________________________________________________________________________________________________________________________Step 2: Make pod shells – sadly, I have a disgraceful camera, so these are more dark reddish purple than what you see here.
Step 3: Sew felt balls into pods.
Step 4: Realize it needs something more.
Step 5 (WILL BE) to create an approx. 5′ abstracted branch form from cherry ply, so the composition you see here will not be the final layout. It will be much more stretched out. Or so I think…